Cognitive Ecologies: Mind, Media, and Environment in Film
Introduction
Cognitive Ecology Theory in film explores how human perception interacts with the environment, technology, and narrative design. Influenced by cognitive science and ecological psychology, it views spectatorship as a dynamic system of thought and affect.
Core Ideas
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The mind is not isolated — it extends into media and surroundings.
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Film cognition involves interaction, memory, and embodied experience.
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The spectator co-creates meaning through attention and emotion.
Key Points
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Embodied Viewing: The viewer physically and emotionally participates in the film world.
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Environmental Awareness: Cinematic space shapes mental response.
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Distributed Cognition: Thought extends across image, sound, and viewer perception.
Examples
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Gravity (2013) — combines immersive sound and movement to replicate spatial disorientation.
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The Revenant (2015) — engages sensory and environmental realism to evoke survival instinct.
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Avatar (2009) — visualizes ecological connection between body, world, and technology.
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