Global South Film Theory

 

Global South Film Theory: Decolonizing the Screen

Introduction

Global South Film Theory addresses the cinematic perspectives of countries historically marginalized by Western hegemony. It emphasizes decolonial aesthetics, resistance narratives, and community-centered storytelling.

Essence

• Rejects Western frameworks of film criticism and representation.

• Centers indigenous, Afro-diasporic, and postcolonial modes of expression.

• Film becomes a form of cultural reclamation and political resistance.

Key Points

• Third Cinema Influence: Builds on Latin American, African, and Asian anti-imperialist traditions.

• Local Knowledge Systems: Uses oral storytelling, ritual, and folklore as cinematic language.

• Collective Authorship: Prioritizes community collaboration over auteur individualism.

Examples

• City of God (2002, Brazil) — depicts violence and inequality from within marginalized communities.

• Black Girl (1966, Senegal) — explores race, migration, and identity through a postcolonial lens.

• Lagaan (2001, India) — transforms colonial power dynamics into popular resistance narrative.