Performance Theory in Film

 

Performance Theory in Film: Acting, Embodiment, and Identity

Introduction

Performance Theory examines film acting not only as artistic expression but also as cultural performance — how gestures, voices, and bodies communicate identity, power, and emotion. Influenced by Richard Schechner and Erving Goffman, it bridges theatre, sociology, and cinema studies.

Core Concepts

• Every film performance constructs and reveals identity.

• Acting extends beyond characters — it reflects social roles and expectations.

• Performance involves the body as text — expressive, political, and symbolic.

Key Points

• Embodied Expression: Physicality and gesture communicate psychology (Marlon Brando, Tilda Swinton).

• Star Persona: Actors’ off-screen identities influence interpretation (Marilyn Monroe, Keanu Reeves).

• Cultural Performance: Films reflect rituals, gender roles, and collective emotions.

Examples

• Black Swan (2010) — examines transformation and self-destruction through performance.

• Joker (2019) — acting as social commentary on mental health and spectacle.

• Blue Jasmine (2013) — explores emotional fragility through nuanced performance.